A mostly hidden blog by Mechanical Grace.
When I was 8 or 9 I did a messy, free-form painting, the type that starts with beautiful colors but ends up a brownish tragedy. Still, small flashes of color remained. When I looked at the abstract mess after it had dried, I noticed a tiny shape that looked remarkably, precisely, like a small house, perched on a ledge. Suddenly the chaotic whorls became a cliff face, balancing this little house, and the grayish yellow strip across the top of the page, an odd-colored sky. Looking more carefully I found people, other little buildings, a horse. I marveled at having created such an objective reality, not because it was an accident-- on the contrary, I tried to forget that-- but rather because it seemed such an accomplishment to have achieved that impossible magic, verisimilitude. I kept the painting in the closet and would look at it in private, feeling unreasonably proud, and engrossed in the story I'd hidden in my own painting. I never expected anyone else to see the things I saw, and I still don't, but I work more intentionally now, so you never know...
I wrote a few weeks ago about yearning but perhaps I wasn’t specific enough about terms. The difference between longing and yearning, to my mind anyway, is that yearning has no known object, whereas longing does. The pain of yearning is in part that very lack of specificity, the open-ended and thus overwhelming want. The pain of longing, on the other hand, is knowing exactly what you are missing, and missing it more for that.
